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	<title>Paolo Ciccone Productions &#187; Post production</title>
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	<link>http://paolociccone.com</link>
	<description>Taking care of your image</description>
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		<title>After Effects and HDV</title>
		<link>http://paolociccone.com/archives/32</link>
		<comments>http://paolociccone.com/archives/32#comments</comments>
		<pubDate>Fri, 04 Apr 2008 08:11:46 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[Post production]]></category>
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=32</guid>
		<description><![CDATA[I&#8217;ve been hearing a lot recently, thanks to the fine folks at Creative Cow, about AE and HDV footage. Here is an explanation from Dave LaRonde, frequent contributor of the Creative Cow forums:


  Dave&#8217;s Stock Answer #1 For Current Footage Woes:
  
  If your footage is any kind of the following &#8212; [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Avoid creating a look in camera</title>
		<link>http://paolociccone.com/archives/27</link>
		<comments>http://paolociccone.com/archives/27#comments</comments>
		<pubDate>Sat, 29 Mar 2008 07:10:15 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post production]]></category>
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=27</guid>
		<description><![CDATA[This post on ProLost made think about how far that approach on color correction can be stretch. The example given by Stu starts with a daylight balanced shot and turns it blue in post and then recovers the skin tones with additional tweaks. What if you have footage that is already blue and you want [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/27/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Just say NO to Color and ProRes</title>
		<link>http://paolociccone.com/archives/22</link>
		<comments>http://paolociccone.com/archives/22#comments</comments>
		<pubDate>Fri, 21 Mar 2008 20:34:59 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[Post production]]></category>
		<category><![CDATA[Apple Color]]></category>
		<category><![CDATA[ProRes]]></category>
		<category><![CDATA[SheerVide]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=22</guid>
		<description><![CDATA[Sorry to use such a trick to capture your attention but, well, I did, didn&#8217;t I  
No, I don&#8217;t have anything about Color and ProRes, they are good tools. I&#8217;m just getting a little concerned that lately anything in postproduction has to be revolving around these two technologies, as the other tools are not [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/22/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut vs Premiere Pro &#8211; act two</title>
		<link>http://paolociccone.com/archives/15</link>
		<comments>http://paolociccone.com/archives/15#comments</comments>
		<pubDate>Fri, 14 Mar 2008 04:26:38 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post production]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=15</guid>
		<description><![CDATA[So, in the first few posts I&#8217;ve been nice to Premiere, the new software is generally getting a more positive attitude  just because it&#8217;s &#8220;the new thing&#8221; and new things are exciting. It&#8217;s time now, after a few days to talk about a few things that could be enhanced, from the point of view [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/15/feed</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>32 bit processing = film look</title>
		<link>http://paolociccone.com/archives/12</link>
		<comments>http://paolociccone.com/archives/12#comments</comments>
		<pubDate>Wed, 12 Mar 2008 02:30:21 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post production]]></category>
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=12</guid>
		<description><![CDATA[The benefits of using 32 bit processing for compositing are not always apparent to superficial examination. If you create a project in After Effects, drop a few clips in a comp and turn the switch to set the projects processing at 32 bit you will not see anything happening. Of course 32 bit processing takes [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/12/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rebel Video</title>
		<link>http://paolociccone.com/archives/9</link>
		<comments>http://paolociccone.com/archives/9#comments</comments>
		<pubDate>Mon, 10 Mar 2008 18:49:10 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post production]]></category>
		<category><![CDATA[after effects]]></category>
		<category><![CDATA[final cut]]></category>
		<category><![CDATA[magic bullet]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=9</guid>
		<description><![CDATA[If you haven&#8217;t read the excellent &#8220;The DV Rebel&#8217;s guide&#8221; by Stu Maschwitz do yourself a favor: open a new tab in your browser, go to Amazon and order it now. And pay for the express shipping because you don&#8217;t want to spend a single day without knowing what&#8217;s in that book. If you have [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/9/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Premiere vs Final Cut : act one</title>
		<link>http://paolociccone.com/archives/8</link>
		<comments>http://paolociccone.com/archives/8#comments</comments>
		<pubDate>Sun, 09 Mar 2008 17:40:00 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post production]]></category>
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=8</guid>
		<description><![CDATA[OK, I spent a few days with Premiere and here are some of the things that favorably impressed me:


User Interface. If you have experience with AE then Premiere is a plus. The usual layouts established by Adobe are quite pleasant and the consistency among applications makes it easy to feel at home. Plus, the elements [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/8/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From FCP to Premiere Pro</title>
		<link>http://paolociccone.com/archives/5</link>
		<comments>http://paolociccone.com/archives/5#comments</comments>
		<pubDate>Sun, 09 Mar 2008 03:56:26 +0000</pubDate>
		<dc:creator>pciccone</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post production]]></category>

		<guid isPermaLink="false">http://paolociccone.com/blog/?p=5</guid>
		<description><![CDATA[I bet you don&#8217;t see this often. There is a perception that Final Cut is regarded as a &#8220;pro&#8221; NLE and Premiere is not quite at the same level. Or so they say. For years I have been a devoted user of FCP and I really don&#8217;t have anything against it. It&#8217;s just that Premiere [...]]]></description>
		<wfw:commentRss>http://paolociccone.com/archives/5/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
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